As funny and irreverant as ever, great songs and great puppetry combine for a fantastic production.
Shaftsbury Theatre – Until 29 August
I was a huge fan of Avenue Q during its 2006 London run, but curious both whether it had aged well and would feel relevant. With only a few tweaks, I think it has managed it well.
This revival of Avenue Q was as funny and irreverant as I remember. It is underpinned by excellent putpptry and memorable songs with clever lyrics.
Paddington plays it safe, but he story works well, the songs are good and the overall production is excellent.
Savoy Theatre
Paddington is overall very well done – slick, well paced fun and engaging musical. The story works well, the songs are good and the overall production is excellent.
However, it does (for me) fall into a bit of the “cookie-cutter” category – there is nothing surprising or interesting about the show. Overall it plays it safe and it doesn’t particularly stand-out from the other family musicals around.
Worth it just for the on-stage talent.
Bridge Theatre – until 30 May
Noel Coward Theatre – 22nd September 2026 – 9th January 2027
11 well-deserved Olivier Nominations – worth it just for the on-stage talent. Sondheim’s most commercial musical – at the Bridge – I am looking forward to it.
Hamilton delivers on pretty much everything I’d want from a musical
Victoria Palace Theatre
I really like this – for me it delivers on pretty much everything I’d want from a musical – the movement, the songs complement the emotional journey, it is funny and moving. I also thought the current cast was very good.
As good as you’d want from Oliver – technically first class and doesn’t hold back.
Guilgud Theatre
The current version is (I think) as good as you’d want from Oliver (it will be hard to top) – at every point I think they made excellent creative choices to put together something truly outstanding. It is funny, entertaining, technically first class and doesn’t hold back from the darker side of the story. With or without children in tow It is one of my current top recommendations.
Great songs, good pace and very entertaining
Victoria Palace Theatre
I have love for this show – great songs and it just whips through and is entertaining – just feels a bit dated and tired compared to some of the newer stuff.
Dark and challenging – it draws you in and makes you complicit in the world it creates
KitKat Club at the Playhouse Theatre
I really love this version of Cabaret – It is dark and challenging – it draws you in and makes you complicit in the world it creates – great singing, acting, directing and the rest. As it is a rotating list of stars cast as lead (EmCee and Sally Bowles) the feel of the overall experience does depend somewhat on who is in the lead, but overall it is a top show.
Totally and utterly bonkers – but thien it is immensely talented people singing and dancing on rollerskates
Trubador Wembley – Until 3 May
Totally and utterly bonkers – seen it 3 times with the children now – I think it makes even less sense (story wise) than ever – but it is about immensely talented people singing and dancing on rollerskates – and it delivers on that in spades – closing soon – some good ticket deals.
Great acting, singing, staging and all-round superb story-telling.
Lyric Theatre
Sung through musical loosely based on Orpheus and Euridice – I have seen 3 times and gong again with my 11 year old. 1940s jazz(ish) inspired style – very well done. Superb story telling. I am very keen to see the current cast – some excellent talent.
A little dated in its gags and style but still funny, well written, acted, sung and directed
Prince of Wales Theatre
I absolutely love this show – it is funny, well written, acted, sung and directed – however, it is one of the older shows on the West End now, and does feel a little dated in its gags and style (I’d happily watch it ten times over again though)